Control the Endorphin.es Ghost from your browser — full MIDI CC reference for 14 parameters, interactive editor, and AI-generated presets. Free, no install.
Nitelite gives the Ghost a full browser-based control surface: turn every knob, flip every switch, describe the tone you want to the AI Tone Terminal, and save the results — all sent to the pedal live over MIDI (default channel 0). Works free in Chrome, Edge, Opera, or Brave — no install required.
| Control | MIDI CC | Description |
|---|---|---|
| VOLUME | CC 7 | Final output volume. 0 = silence, 100 ≈ 100%, 127 adds overdrive character. |
| DELAY | CC 12 | Delay dry/wet mix. |
| REVERB | CC 19 | Reverb dry/wet mix. |
| FILTER | CC 74 | Filter cutoff frequency. In LP/HP mode the knob is bipolar — LP silence at CCW, clean unprocessed sound at noon, HP silence at CW. In BP mode it sweeps the band center. In COMB mode it sets the comb frequency. |
| DISTORT | CC 10 | Distortion amount. A high-gain soft-clip overdrive/distortion — amp-like saturation at lower settings, full distortion territory at higher drive with smoother harmonics and more sustain (Firmware V4 improved algorithm). |
| MIX | CC 8 | Global dry/wet mix between the clean input (0) and the final processed audio chain output before the VOLUME knob (127). Note: cabinet simulator amount (SHIFT secondary) is hardware-only and not MIDI-addressable. |
| TIME | CC 15 | Delay time. CCW = short audio-rate repeats, CW = longer taps. Tempo-syncable — via internal clock (TAP footswitch or knob), or external MIDI clock where the knob acts as a divider/multiplier with note-value divisions written around the panel (1/4, 1/8, dotted, triplets, etc.). |
| REPEATS | CC 13 | Delay repeats / feedback. Turn fully CW for self-oscillation. Setting both DELAY (mix) and REPEATS fully CCW clears the delay buffer content. |
| DECAY | CC 20 | Reverb tail decay length. |
| SPEED | CC 28 | Speed of the internal LFO/modulator. Range from 0.04 Hz (25 s per cycle) at CCW to 15 Hz (0.067 s per cycle) at CW. When the env LFO shape is selected, SPEED acts as slew-rate adjustment for the envelope follower. |
| Control | MIDI CC | Description |
|---|---|---|
| CRUSH | CC 70 | Bitcrusher (Sample Rate Reducer). Lowers the sample rate out of the FILTER chain — full 96 kHz at CCW, crushing to aliased noise at CW. Placed after distortion + cabinet in every routing. |
| DELAY TONE | CC 14 | Tilt EQ applied after the wet delay output. Bipolar — center (63) is neutral; CCW darkens the delays; CW brightens them. Useful for dub-style darkened delays or enhanced delay presence. |
| REVERB TONE | CC 22 | Tilt EQ applied before the reverb tank. Bipolar — center (63) is neutral; CCW removes boomy low-end; CW brightens the reverb input. |
| RESONANCE | CC 71 | Filter resonance. In BAND-PASS mode, defines the width of the band. In COMB mode it is bipolar — zero resonance at noon, CCW adds negative combs and CW adds positive combs; extreme CW/CCW enables the resonator / self-oscillation. |
| DISTORT TONE | CC 11 | 6 dB/oct tilt EQ for low and high frequencies applied after the distortion output. Bipolar — center (63) is clean, CCW darkens, CW brightens. |
| PREDELAY | CC 21 | Time before the first reflections of the reverb, perceived as the apparent size of the space. In REVERSE REVERB mode this parameter controls the reverse buffer length — CCW = maximum reverse effect, CW = minimum. |
| Switch | MIDI CC | Positions |
|---|---|---|
| LFO SHAPE | CC 29 | Sine / Square / Saw A / Saw D / Random / Envelope |
| FILTER TYPE | CC 27 | LP/HP / Band-Pass / Comb |
| ROUTING | CC 26 | Dist → Filter → FX / Dist → FX → Filter / Filter → Dist → FX / Filter → FX → Dist / FX → Dist → Filter / FX → Filter → Dist |
| DELAY TAPS | CC 16 | RLRL (Ping-Pong) / LRRL / Stereo |
The Ghost has 9 hardware preset slots. Nitelite can save your current settings to a slot and recall slots via MIDI program change.