MIDI control for the Red Panda Bitmap 2 bitcrusher — bit depth, sample rate reduction, wavefolding, drive, filter, LFO and envelope modulation, 127 presets.
Nitelite gives the Bitmap 2 a full browser-based control surface: turn every knob, flip every switch, describe the tone you want to the AI Tone Terminal, and save the results — all sent to the pedal live over MIDI (default channel 1). Works free in Chrome, Edge, Opera, or Brave — no install required.
| Control | MIDI CC | Description |
|---|---|---|
| MIX | CC 12 | Adjusts the wet/dry mix, from 100% dry to 100% wet. |
| CRUSH | CC 13 | Adjusts the bit depth from 24 bits down to 1 bit, including fractional bit depths. |
| FREQ | CC 14 | Adjusts the sampling rate, from 48,000 Hz down to 110 Hz. The sampling rate can be modulated by the LFO or envelope follower. |
| FILTER | CC 21 | Adjusts the cutoff frequency of the 4-pole lowpass filter. The cutoff can be modulated by the LFO or envelope follower. |
| RATE | CC 16 | LFO modulation rate. The LFO can be synced to tap tempo or MIDI clock, and the rate can be set to audio frequencies. |
| DEPTH | CC 15 | LFO modulation depth and waveshaping intensity. Fully counter-clockwise turns off modulation. Depending on the WAVE setting it sets the LFO modulation amount, the wavefolding threshold and number of folds, the wave window position and width, or the waveshaping function. |
| DRIVE | CC 23 | Adjusts the input gain from 0 dB to +60 dB, with saturation and clipping, before the waveshaping and bit reduction. Lowering drive makes the signal sputter and cut out; increasing it gives hard sustain and a more saturated sound. |
| ENV | CC 20 | Envelope modulation amount. Fully counter-clockwise turns off envelope modulation. The envelope follower tracks the input signal before the drive control, so you can get saturated output with dynamics. |
| Control | MIDI CC | Description |
|---|---|---|
| OUTPUT LEVEL | CC 24 | MIX alt ([WAVE]-MIX) — output gain on the wet signal, -30 dB to +6 dB. 0 enables automatic gain control (default), 18 = -30 dB, 36 = -24 dB, 54 = -18 dB, 72 = -12 dB, 90 = -6 dB, 108 = 0 dB, 126 = +6 dB. |
| RESONANCE | CC 22 | FILTER alt ([WAVE]-FILTER) — filter resonance. Increasing resonance creates a peak at the filter cutoff frequency and reduces the amplitude at low frequencies. At high resonance the filter will self-oscillate with no input. |
| Switch | MIDI CC | Positions |
|---|---|---|
| WAVE | CC 102 | Triangle / Square / Random / Wave Folder / Wave Window / Waveshaper |
| MOD DEST | CC 103 | Freq / Filter Cutoff / Mix |
| ENV:DEST | CC 104 | Off / Filter Cutoff / Mix / Mix - (inverted) / Freq Up / Freq Down |
| DRIVE TYPE | CC 111 | Hard Clipping / Distortion 1 / Distortion 2 (mid focus) |
| ANTI-ALIAS | CC 112 | Off / On / Track Filter |
| FILTER RANGE | CC 113 | Normal / Full / Relative |
The Bitmap 2 has 127 hardware preset slots. Nitelite can save your current settings to a slot and recall slots via MIDI program change.