Control the Eventide TimeFactor from your browser — full MIDI CC reference for 11 parameters, interactive editor, and AI-generated presets. Free, no install.
Nitelite gives the TimeFactor a full browser-based control surface: turn every knob, flip every switch, describe the tone you want to the AI Tone Terminal, and save the results — all sent to the pedal live over MIDI (default channel 1). Works free in Chrome, Edge, Opera, or Brave — no install required.
Knobs
Control
MIDI CC
Description
MIX
CC 22
Wet/dry mix level. 0=fully dry, 127=fully wet
DLY MIX
CC 23
Relative level of twin delays A and B. 0=100% Delay A, 64=equal mix, 127=100% Delay B
DLY TIME A
CC 24
Delay time for Delay A (0-3000ms, or tempo-synced subdivision when Tempo is ON)
DLY TIME B
CC 25
Delay time for Delay B (0-3000ms, or tempo-synced subdivision when Tempo is ON)
FDBK A
CC 26
Feedback amount for Delay A (0-110%). High values can cause self-oscillation. For FilterPong, controls diffusion (SLUR)
FDBK B
CC 27
Feedback amount for Delay B (0-110%). High values can cause self-oscillation. For FilterPong, selects dubbing mode
Crossfade speed (XFADE) from 2ms to 200ms. Small=fast crossfades, large=gradual crossfades when delay time changes
DEPTH
CC 29
Delay modulation amount (0=OFF, 127=MAX)
SPEED
CC 30
Delay modulation rate (0-5Hz)
FILTER
CC 31
Low pass/high cut filter variable from 0 (no filtering) to 127 (extreme hi cut)
VintageDelay
Control
MIDI CC
Description
BITS
CC 28
Bit resolution from 20 bits (high quality) down to 5 bits (lo-fi, nasty digital noise). Each bit = 6dB resolution
DEPTH
CC 29
Delay modulation amount (0=OFF, 127=MAX)
SPEED
CC 30
Delay modulation rate (0-5Hz)
FILTER
CC 31
Filter to simulate band-limited old school delays
TapeEcho
Control
MIDI CC
Description
SATURATION
CC 28
Analog tape saturation amount (0=none, 127=max). Warm vintage sound with compression and distortion
WOW
CC 29
Simulates analog tape Wow — slow pitch/amplitude modulation from motor/tape transport issues (0=none, 127=max)
FLUTTER
CC 30
Simulates tape machine Flutter — faster, more rapidly changing variation than Wow (0=none, 127=max flutter)
FILTER
CC 31
Simulates tape recorder frequency response. Higher values = more pronounced tape tone character
ModDelay
Control
MIDI CC
Description
WAVE SHAPE
CC 28
Modulation wave shape as displayed on Billboard. Single waveforms modulate both delays in phase; double waveforms modulate out of phase
DEPTH
CC 29
Delay modulation amount (0=OFF, 127=MAX). Controls intensity of chorus/modulation effect
SPEED
CC 30
Delay modulation rate (0-5Hz)
FILTER
CC 31
Low pass/high cut filter variable from 0 (no filtering) to 127 (extreme hi cut)
DuckedDelay
Control
MIDI CC
Description
RATIO
CC 28
Ducking ratio — the degree to which the delay is attenuated while playing
THRESHOLD
CC 29
Ducking threshold (-36dB to -66dB) — audio amplitude at which ducking kicks in
RELEASE
CC 30
Release time from 500ms to 10sec. Short=delay returns quickly after playing stops. Long=delay stays ducked longer
FILTER
CC 31
Low pass/high cut filter variable from 0 (no filtering) to 127 (extreme hi cut)
BandDelay
Control
MIDI CC
Description
RESONANCE
CC 28
Filter resonance (RES) or sharpness. 0=subtle, 127=dramatic resonant effects
DEPTH
CC 29
Amount that the filter cut-off or center frequencies are modulated/shifted
SPEED
CC 30
Rate of modulation for the filter center frequencies (0-5Hz)
FILTER TYPE
CC 31
Select filter type — Low Pass, Band Pass, or Hi Pass
FilterPong
Control
MIDI CC
Description
WAVE SHAPE
CC 28
Selects the shape of the filter modulation as displayed on the Billboard
DEPTH
CC 29
Amount of frequency modulation for the filters
SPEED
CC 30
Speed multiplier for filter modulation
FILTER
CC 31
Controls the mix between the dry and filtered signal input to the ping-pong delay
MultiTap
Control
MIDI CC
Description
SLUR
CC 28
Selects the amount of diffusion (SLUR) of the repeats from 0 (discrete taps) to 127 (smoothed, reverb-like)
TAP TAPER
CC 29
Sets the relative level (taper) of the taps. TAPR=-10 (1st tap quietest, last loudest), 0 (all equal), TAPR=10 (1st loudest, last quietest)
TAP SPACING
CC 30
Spacing between taps: 0 (spacing increases with delay), 5 (equally spaced), 10 (spacing decreases with delay)
FILTER
CC 31
Tone control filter that reduces high frequencies to darken the ambient sounds
Reverse
Control
MIDI CC
Description
XFADE
CC 28
Crossfade rate (XFADE) from 2ms to 200ms at the splice point. Small=fast, more audible rhythm. Large=smoother reverse effect
DEPTH
CC 29
Delay modulation amount (0=OFF, 127=MAX)
SPEED
CC 30
Delay modulation rate (0-5Hz)
FILTER
CC 31
Low pass/high cut filter variable from 0 (no filtering) to 127 (extreme hi cut)
Footswitches
ACTIVE — bypass on CC 70
REPEAT — bypass on CC 71
TAP — bypass on CC 72
Special MIDI Functions
Tap Tempo — CC 72
Expression — CC 15
Bypass — CC 70. When on, the TimeFactor is bypassed (dry signal only). When off, the effect is engaged. Mirrors the left (Active) footswitch.
Infinite Repeat — CC 71. Toggle Infinite Repeat on or off. When on, the audio currently in the delays is captured and repeated indefinitely. Mirrors the center (Repeat) footswitch.
Play/Bank Mode — CC 72. Toggle between Play Mode and Bank Mode. In Play Mode the footswitches control Active/Bypass, Infinite Repeat, and Tap Tempo. In Bank Mode they recall presets. Assignable via RCV CTL (P/B destination).
Looper Direction — CC 79. Toggle Looper playback direction between forward and reverse (DIR). Corresponds to the DIR RCV CTL destination. Assignable via RCV CTL.
Input Swell — CC 80. Enable or disable Input Swell on the current preset. When on, the expression pedal jack acts as a volume swell before the effect. Corresponds to the ISW RCV CTL destination. Assignable via RCV CTL.
Output Swell — CC 81. Enable or disable Output Swell on the current preset. When on, the expression pedal jack acts as a volume swell after the effect. Corresponds to the OSW RCV CTL destination. Assignable via RCV CTL.
Bank Increment — CC 73. Increment the active Bank number by one (cycles through active Banks 1-50). Corresponds to the BK+ RCV CTL destination. Assignable to any CC via MIDI > RCV CTL.
Bank Decrement — CC 74. Decrement the active Bank number by one (cycles through active Banks 1-50). Corresponds to the BK- RCV CTL destination. Assignable to any CC via MIDI > RCV CTL.
Looper Record — CC 75. Start or stop Looper recording. In Empty state starts recording; in Recording state creates Loop End and begins Dubbing. Mirrors the left (Active/Record) footswitch in Looper mode. Assignable via RCV CTL (REC destination).
Looper Play — CC 76. Start Looper playback from the loop start point. Also toggles playback direction when AP:RVDIR is selected. Mirrors the center (Repeat/Play) footswitch in Looper mode. Assignable via RCV CTL (PLY destination).
Looper Stop — CC 77. Stop Looper playback or recording. Mirrors the right (Tap/Stop) footswitch in Looper mode. Assignable via RCV CTL (STP destination).
Looper Empty — CC 78. Empty the Looper, clearing all recorded audio and returning to the Empty state. Corresponds to the MT (Empty) RCV CTL destination. Assignable via RCV CTL.
Hardware Presets
The TimeFactor has 100 hardware preset slots. Nitelite can save your current settings to a slot and recall slots via MIDI program change.