Source Audio Ultrawave Distortion — MIDI Editor & CC Reference
Control the Source Audio Ultrawave Distortion from your browser — MIDI control reference, interactive editor, and AI-generated presets. Free, no install.
Explore the Ultrawave Distortion controls in your browser and connect compatible MIDI hardware to send settings to your pedal. The reference below shows the controls mapped in Nitelite; available functions depend on the pedal and firmware. The default MIDI channel in Nitelite is 1. Browser MIDI control works in Chrome, Edge, Opera, or Brave — no install required.
Knobs
Control
MIDI CC
Description
DRIVE
CC 1
Master distortion level. Turn clockwise for more distortion and saturation, counterclockwise for cleaner sounds.
LEVEL
CC 2
Overall output volume. Due to varying presets and band-splitting options, the overall output level may change per preset — there is no hard-set unity gain point.
SUSTAIN
CC 3
Adjusts the sustain of the distortion by manipulating the input gain before the compressor. Clockwise for more sustain and saturation, counterclockwise for a more open sound/feel.
TREBLE
CC 5
Controls how bright or mellow the overall effect is. Clockwise for more top end bite, counterclockwise for a darker sound with attenuated high frequencies.
MIX
CC 7
Clean mix blended with the distorted signal. Fully counterclockwise is completely clean/dry; fully clockwise is completely distorted.
MORPH
CC 8
When morphing is enabled, controls how much morphing is applied between two parameter states. Fully counterclockwise is no morphing; fully clockwise is maximum morphing.
ENV→MORPH
CC 9
Adjusts the intensity at which the envelope follower applies to morphing.
LFO DEPTH
CC 10
Adjusts the depth of the low-frequency oscillator used for morphing between two parameter states.
Alt / Secondary Knob Functions
Control
MIDI CC
Description
BASS
CC 4
Controls the amount of bass frequencies in the outgoing signal (ALT mode). Clockwise for more low end, counterclockwise for less.
MID
CC 6
Controls the amount of midrange present in the distortion (ALT mode). Clockwise for a warm, classic sound; counterclockwise for a scooped, modern sound.