Source Audio Ventris Dual Reverb — MIDI Editor & CC Reference

Control the Source Audio Ventris Dual Reverb from your browser — full MIDI CC reference for 8 parameters, interactive editor, and AI-generated presets. Free, no install.

Nitelite gives the Ventris Dual Reverb a full browser-based control surface: turn every knob, flip every switch, describe the tone you want to the AI Tone Terminal, and save the results — all sent to the pedal live over MIDI (default channel 1). Works free in Chrome, Edge, Opera, or Brave — no install required.

Knobs

ControlMIDI CCDescription
TIMECC 2Reverb sustain time — controls how long the reverb trail circulates. Fully clockwise sustains indefinitely.
MIXCC 3Wet/dry blend — fully CCW is 100% dry, 3 o'clock (~95) is 50/50, fully CW is 100% wet.
PRE-DELAYCC 4Time between dry signal and initial reverb reflections — creates echo-like slapback at higher settings.
TREBLECC 5Low-pass filter cutoff on wet signal — clockwise for brighter trails, counter-clockwise for darker reverb.
CONTROL 1CC 7Engine-specific parameter — function varies by reverb engine (typically Bass/low-end content).
CONTROL 2CC 9Engine-specific parameter — function varies by reverb engine (typically Modulation Depth or engine-specific control).

Switches

SwitchMIDI CCPositions
ENGINECC 1Room / Hall / E-Dome / True Spring / Plate / Lo-Fi / Modverb / Shimmer / Echoverb / Swell / Offspring / Reverse / Outboard Spring / Metal Box
A/B MODECC 50A / B / A+B Parallel / A+B Cascade

Per-Mode Parameters

Room

ControlMIDI CCDescription
MOD RATECC 10Pitch modulation rate applied to the wet signal
DIFFUSIONCC 8Echo density and smoothness of the reverb tail
OUTPUTCC 6Output level of the reverb engine

Hall

ControlMIDI CCDescription
DIFFUSION MODCC 15Diffusion modulation depth for added movement
DIFFUSIONCC 8Echo density of the hall reverb
OUTPUTCC 6Output level of the reverb engine
SIZECC 13Hall size from smallest (0) to largest (4)

E-Dome

ControlMIDI CCDescription
MOD RATECC 10Pitch modulation rate
DIFFUSIONCC 8Echo density of the massive dome reverb
OUTPUTCC 6Output level of the reverb engine

True Spring

ControlMIDI CCDescription
DIFFUSIONCC 8Spring diffusion and smoothness
OUTPUTCC 6Output level of the reverb engine
SPRING LENGTHCC 13Virtual spring length — longer springs produce more distinguishable echo effects

Plate

ControlMIDI CCDescription
DIFFUSIONCC 8Plate diffusion density
OUTPUTCC 6Output level of the reverb engine
METALLIC MIXCC 15Amount of metallic plate character blended in
REVERB LEVELCC 16Level of the reverb portion
EARLY REFLECTIONSCC 17Level of early reflections
PLATE SIZECC 13Plate size — Small, Medium, or Large

Lo-Fi

ControlMIDI CCDescription
DISTORTIONCC 15Amount of overdrive/fuzz on the wet signal — high values sound like a fuzz pedal
QUANTIZECC 16Bit reduction — adds digital grit and lo-fi character
SAMPLE RATECC 17Sample rate reduction for additional lo-fi destruction
DESTRUCT MIXCC 18Balance between destructed and clean reverb signal
DESTRUCT HI CUTCC 19High-frequency cutoff on the destructed signal
MOD NOISE DEPTHCC 20Sporadic, irregular pitch modulation — resembles broken tape delay
OUTPUTCC 6Output level of the reverb engine

Modverb

ControlMIDI CCDescription
TREMOLO DEPTHCC 15Tremolo depth and routing — left half: tremolo before reverb, right half: tremolo after reverb
TREMOLO RATECC 16Speed of the tremolo effect
TREMOLO SHAPECC 17Tremolo waveform shape — sine, triangle, square, etc.
TREMOLO OPTIONSCC 18Additional tremolo routing and behavior options
TREMOLO SPREADCC 19Stereo spread of the tremolo effect
OUTPUTCC 6Output level of the reverb engine

Shimmer

ControlMIDI CCDescription
SHIMMER CROSSFADECC 15Mix between normal reverb and pitch-shifted shimmer reflections
PITCH MODULATIONCC 16Modulation applied to the pitch-shifted signal
PITCH INTERVALCC 17Pitch shift interval — 0-26 mapped to various musical intervals
PITCH REGENCC 18Amount of shimmer signal fed back into the reverb — more pronounced shimmer effect
OUTPUTCC 6Output level of the reverb engine

Echoverb

ControlMIDI CCDescription
PRE-DLY FB HI CUTCC 15High-frequency cutoff on delay feedback — darker repeats at lower values
PRE-DLY FB LO CUTCC 16Low-frequency cutoff on delay feedback — thinner repeats at higher values
EARLY REFLECTIONSCC 17Level of early reflections in the reverb portion
REVERB LEVELCC 18Level of the reverb portion relative to delay
EARLY/REVERB XFADECC 19Crossfade between early reflections and reverb tail
OUTPUTCC 6Output level of the reverb engine

Swell

ControlMIDI CCDescription
ENVELOPE GAINCC 15Sensitivity of the envelope follower — adjust for pickup impedance and picking dynamics
SWELL TIMECC 16Speed of the volume swell — CCW for quick swells, CW for longer smooth swells
SWELL SENDCC 17Signal level sent to the swell processor
SWELL DRYCC 18Dry signal level within the swell effect
OUTPUTCC 6Output level of the reverb engine

Offspring

ControlMIDI CCDescription
MASTER OFFSETCC 15Master frequency offset for the cascading filter bands
MASTER PRE-DELAYCC 16Pre-delay for the offspring effect
EARLY REFLECTIONSCC 17Level of early reflections
REVERB LEVELCC 18Level of the reverb portion
OUTPUTCC 6Output level of the reverb engine

Reverse

ControlMIDI CCDescription
DELAY CURVECC 15Curve shape of the reverse effect — 0-5 mapped to different envelope profiles
CURVE FILTERCC 16Filtering applied to the reverse curve — 0-2 mapped
OUTPUTCC 6Output level of the reverb engine

Outboard Spring

ControlMIDI CCDescription
DRIVECC 15Spring drive intensity — increases reverberation drama and intensifies the drip
OUTPUTCC 6Output level of the reverb engine

Metal Box

ControlMIDI CCDescription
MOD RATECC 10Pitch modulation rate
DIFFUSIONCC 8Echo density within the metal box space
PRE-DLY FB HI CUTCC 15High-frequency cutoff on pre-delay feedback
PRE-DLY FB LO CUTCC 16Low-frequency cutoff on pre-delay feedback
EARLY REFLECTIONSCC 17Level of early reflections
REVERB LEVELCC 18Level of the reverb portion
EARLY/REVERB XFADECC 19Crossfade between early reflections and reverb tail
OUTPUTCC 6Output level of the reverb engine

Footswitches

  • ON/OFFbypass on CC 101, hold on CC 97
  • OPTIONbypass on CC 93, hold on CC 97

Special MIDI Functions

  • Tap Tempo — CC 93
  • Expression — CC 100

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