Universal Audio ANTI 1992 — MIDI Editor & CC Reference
Control the Universal Audio ANTI 1992 from your browser — full MIDI CC reference for 8 parameters, interactive editor, and AI-generated presets. Free, no install.
Nitelite gives the ANTI 1992 a full browser-based control surface: turn every knob, flip every switch, describe the tone you want to the AI Tone Terminal, and save the results — all sent to the pedal live over MIDI (default channel 1). Works free in Chrome, Edge, Opera, or Brave — no install required.
Knobs
Control
MIDI CC
Description
PRE GAIN
CC 22
Preamp gain level. As this rises, the sound gets increasingly distorted and saturated — especially on the CRNCH and LEAD channels and on the Punch/Punch+ modes of the RTHM channel.
PRESENCE
CC 34
Adds high-end sparkle and grit to the sound.
OUTPUT
CC 7
Overall output level from the pedal. Strictly the pedal's volume — not the same as Post Gain, which acts more like a master volume. Because ANTI generates a lot of low-end energy, you may need to set Output above noon to match bypassed level.
LOW
CC 31
Low-frequency response of the amp's tone stack.
MID
CC 32
Mid-frequency response of the amp's tone stack.
HIGH
CC 33
High-frequency response of the amp's tone stack.
Alt / Secondary Knob Functions
Control
MIDI CC
Description
RESO
CC 35
Resonance control on the amp (ALT mode on the Pre Gain knob). Adds low-bass content; above noon can add a lot of low end. Output level is auto-compensated at higher Reso settings.
GATE
CC 71
Noise gate threshold (ALT mode on the Presence knob). Increase until amp noise is stopped but your softest playing is still heard. The noise gate is bypassed at minimum. Adjusting this also enables the gate if it is not already on.
OVERDRIVE
CC 42
Overdrive pedal gain (TS) or low EQ / Bass (TC) (ALT mode on the Low knob). For classic '90s death metal TS tones, set fully counter-clockwise with passive pickups or just above with active/high-output pickups. In TC mode this is the Bass control — set off for ultra-tight djent, raise for looser or thicker metal tones.
OD TONE
CC 44
Overdrive tone control (TS) or treble EQ (TC) (ALT mode on the Mid knob). Typically sounds best between noon and 2 o'clock.
OD LEVEL
CC 41
Overdrive output (TS) or output level / Volume (TC) (ALT mode on the High knob). The overdrive is bypassed at minimum. Crank this all the way up to push the front end of the amp into thick distortion. Because overdrive is routed before the amp input, this does not raise the pedal's output — it increases distortion by pushing the amp harder.
Switches
Switch
MIDI CC
Positions
CAB
CC 18
UK V30 / CA V30 / White 75 / D65 / Super 80 / Brown JB / No Cab
CHANNEL
CC 17
RTHM / CRNCH / LEAD
Footswitches
ON — bypass on CC 12
PRESET — bypass on CC 13
Special MIDI Functions
Overdrive Enable — CC 40. Toggles the overdrive (Boost) pedal on/off. The overdrive can also be enabled by turning the High/OD Level knob above minimum in ALT mode.
Overdrive Type (TS / TC) — CC 45. Selects the overdrive pedal model. OFF = TS (classic green pedal with gain/tone/volume — tight, mid-boosted, perfect front end for crushing metal tones). ON = TC (rare vintage black preamp pedal with volume/bass/treble — more control when pushing the front end, great for math-metal djent).
Noise Gate Enable — CC 70. Toggles the built-in noise gate on/off. Adjusting the Gate threshold (ALT on Presence) also enables the gate automatically if it is not on.
Input Routing (High) — CC 21. Sets whether the low or high amp input is used. OFF = Low (cleaner, default for RTHM), ON = High (more gain, default for CRNCH and LEAD). Per-channel setting.
Bright Switch — CC 36. When on, adds bite and edge to your tone. Global setting. Does not have an audible effect on the LEAD channel.
Gate Attack — CC 73. How fast the gate opens when the signal exceeds Threshold. Low values = fast, high = slow. Set fast for classic metal.
Gate Release — CC 74. How fast the gate closes when the signal falls below Threshold. Low values = fast, high = slow. Set fast for classic metal; raise if decaying notes are cut off too soon.
Gate Hold — CC 72. How long the threshold-level signal is held before release begins. Adjust together with Release to avoid "chatter."
Gate Attenuation — CC 75. Amount of noise reduction when the gate is closed. Higher values prevent all noise; lower values pass some noise. Set to max for classic metal.
Bias Mode — CC 26. Power-tube bias and configuration (0–3). 0 = Cool (reduced mids, plenty of saturation). 1 = Warm (classic hardware mod, open midrange, warmer leads and vintage crunch). 2 = Cool Choke (reduced mids, tighter and crisper, less fuzzy). 3 = Warm Choke (open mids, crisper and tighter with less fuzz).
Post Gain — CC 25. Additional output gain with harmonic content, modeled from the original amp's Post Gain control. Acts like a master volume.
Room — CC 30. Amount of room ambience from the tracking-room microphones. Has no effect when the speaker cab is bypassed (No Cab). With heavily distorted sounds and lots of low-end content, large amounts may not be useful.
Cab Up — CC 14. Cycles the Cab switch up through the speaker list (momentary).
Cab Down — CC 15. Cycles the Cab switch down through the speaker list (momentary).
Store Preset (Hold) — CC 16. Emulates holding the ALT/AMP/STORE switch. Sends value 1 to save the current Live-mode settings to the currently selected preset slot.
Hardware Presets
The ANTI 1992 has 128 hardware preset slots. Nitelite can save your current settings to a slot and recall slots via MIDI program change.