Control the Chase Bliss BAD MOOD from your browser — full MIDI CC reference for 9 parameters, interactive editor, and AI-generated presets. Free, no install.
Nitelite gives the BAD MOOD a full browser-based control surface: turn every knob, flip every switch, describe the tone you want to the AI Tone Terminal, and save the results — all sent to the pedal live over MIDI (default channel 2). Works free in Chrome, Edge, Opera, or Brave — no install required.
Balance between input signal and BAD MOOD, for both channels at once. Becomes ramp speed when ramping is engaged.
LENGTH
CC 16
Micro-Looper: Burst = size/speed of each step, Radio = station dependent, Mask = character of the mask
MODIFY
CC 17
Wet Channel: Soup = character, Relay = number of repeats, Flip = harmony selection
CLOCK
CC 18
Sets BAD MOOD's sample rate — length and resolution of the Micro-Looper, quality and time of the Wet Channel. Moves in harmonized steps unless SMOOTH is on.
MODIFY
CC 19
Micro-Looper: Burst = envelope sensitivity, Radio = scans between stations, Mask = threshold
Alt / Secondary Knob Functions
Control
MIDI CC
Description
CROSS
CC 24
Hidden Option: intensity of the dynamic pitch + amplitude modulation. Source is set by INPUT MOD. Off by default.
BALANCE
CC 25
Hidden Option: relative loudness of the two channels. Even at noon.
FADE
CC 26
Hidden Option: turn down to make loops gradually fade while overdubbing — slowly evolving loops, or the Micro-Looper as a delay.
EQ
CC 27
Hidden Option: two-way global EQ. Clockwise removes low frequencies, counter-clockwise removes highs. No effect at noon.
GLUE
CC 28
Hidden Option: end-of-chain saturator/destroyer applied to both channels. Set low to warm and gel, high to thrash. Low by default.
BLEND
CC 29
Hidden Option: blends clean micro-loop back in when it is routed through the Wet Channel. None by default (routed loops are 100% wet).
Switches
Switch
MIDI CC
Positions
WET MODE
CC 21
SOUP / RELAY / FLIP
ROUTING
CC 22
INPUT / IN+LOOP / LOOP
LOOP MODE
CC 23
BURST / RADIO / MASK
DIP Switches — CONTROL
Control
MIDI CC
Description
TIME
CC 61
Enable ramping / CV / expression control of the TIME knob
MODIFY
CC 62
Enable ramping / CV / expression control of the MODIFY (Wet Channel) knob
CLOCK
CC 63
Enable ramping / CV / expression control of the CLOCK knob
MODIFY
CC 64
Enable ramping / CV / expression control of the MODIFY (Micro-Looper) knob
LENGTH
CC 65
Enable ramping / CV / expression control of the LENGTH knob
BOUNCE
CC 66
Off = Ramp (one-time movement when the pedal is turned on). On = Bounce (continuous motion).
SWEEP
CC 67
Sweep direction: Bottom (knob position sets the minimum of the range) or Top (knob position sets the maximum)
POLARITY
CC 68
Ramp polarity: Forward (normal) or Reverse (inverted)
DIP Switches — CUSTOMIZE
Control
MIDI CC
Description
MISO
CC 71
Mono In, Stereo Out — splits a mono input signal into a stereo output
SPREAD
CC 72
Turns on stereo processing. Each mode has its own unique approach to generating a stereo image.
DRY KILL
CC 73
Removes your clean signal from the output of the pedal, even when bypassed
TRAILS
CC 74
Allows the effects to naturally fade out after the pedal is bypassed
LATCH
CC 75
Changes the hold function of each footswitch from momentary to latching, so it stays engaged until held again
HALF
CC 76
Cuts the loop length in half, matching the response of the original MOOD
SMOOTH
CC 77
Removes the harmonized stepping effect from the CLOCK knob for fluid adjustment
DRY GLUE
CC 78
Applies GLUE to your dry signal — meshes wet and dry together, or turns BAD MOOD into a standalone stereo saturator with MIX all the way down
Footswitches
WET — bypass on CC 103, hold on CC 105
LOOP — bypass on CC 102, hold on CC 106
Special MIDI Functions
Tap Tempo — CC 93
MIDI Clock Sync — CC 51. Controls whether BAD MOOD follows incoming MIDI clock. Off = ignore clock, On = follow. Saved globally. MIDI clock is ignored while in Synth Mode.
Ramping Active — CC 52. Pause or resume the ramp/bounce movement. Send 0 to stop, any value above 0 to resume.
True Bypass Mode — CC 55. Switch between buffered bypass (off, the default — bypassed signal stays completely analog) and true bypass (on). The always-listening looper does not work while true bypass is engaged.
Hidden Options — CC 104. Opens or closes the Hidden Options layer — the MIDI equivalent of holding down both footswitches (both LEDs light green).
Master Volume — CC 30. Overall output level of the pedal.
Sync — CC 31. Hidden Option on the WET MODE toggle. 0-1 = Micro-Looper synced to the Wet Channel (micro-loop length is now set by TIME). 2 = no sync. 3+ = Wet Channel synced to the Micro-Looper (TIME moves in steps rhythmically related to the micro-loop length).
Spread Channel — CC 32. Hidden Option on the ROUTING toggle — engages SPREAD on one channel but not the other (e.g. a mono micro-loop passing through a stereo reverb). 0-1 = Wet Channel only, 2 = both channels, 3+ = Micro-Looper only.
Input Mod (Cross Source) — CC 33. Hidden Option on the LOOP MODE toggle — selects the modulation source for CROSS. 0-1 = Wet Channel modulates the Micro-Looper, 2 = your input modulates both, 3+ = Micro-Looper modulates the Wet Channel.
EQ Per Channel — CC 85. Which channels the global EQ applies to. 0-1 = Wet Channel EQ only, 2 = both (default), 3+ = Micro-Looper EQ only.
Expression Over MIDI — CC 100. Controls the expression pedal position over MIDI. Affects whichever knobs have their CONTROL dip switch engaged; with none engaged it controls MIX.
Synth Output Type — CC 58. How Synth Mode responds to notes. 0 = Open (constantly making sound, like a drone — the default and most intuitive). 1 = On/Off (sounds only while a note is held, instant attack and release). 2+ = ADSR (envelope-shaped onset and fade, the most synth-like response).