Chase Bliss MOOD MKII — MIDI Editor & CC Reference
Control the Chase Bliss MOOD MKII from your browser — full MIDI CC reference for 9 parameters, interactive editor, and AI-generated presets. Free, no install.
Nitelite gives the MOOD MKII a full browser-based control surface: turn every knob, flip every switch, describe the tone you want to the AI Tone Terminal, and save the results — all sent to the pedal live over MIDI (default channel 2). Works free in Chrome, Edge, Opera, or Brave — no install required.
Knobs
Control
MIDI CC
Description
TIME
CC 14
Wet channel delay/reverb time
MIX
CC 15
Wet/dry mix balance
LENGTH
CC 16
Micro-looper loop length / slice size
MODIFY
CC 17
Wet channel modify (varies by mode)
CLOCK
CC 18
Sample rate for both channels
MODIFY
CC 19
Micro-looper modify (speed/direction/envelope)
Alt / Secondary Knob Functions
Control
MIDI CC
Description
STEREO WIDTH
CC 24
Stereo image width
RAMP WAVE
CC 25
Ramping waveform shape
FADE
CC 26
Loop fade in/out
TONE
CC 27
Tone/EQ control
LEVEL BAL
CC 28
Level balance between channels
DIRECT LOOP
CC 29
Direct micro-loop control
Switches
Switch
MIDI CC
Positions
WET MODE
CC 21
REV / DLY / SLIP
ROUTING
CC 22
IN / IN+LP / LOOP
LOOP MODE
CC 23
ENV / TAPE / STRETCH
DIP Switches — CONTROL
Control
MIDI CC
Description
TIME
CC 61
Enable ramping/bounce/expression control for TIME knob
MODIFY
CC 62
Enable ramping/bounce/expression control for MODIFY (Wet) knob
CLOCK
CC 63
Enable ramping/bounce/expression control for CLOCK knob
MODIFY
CC 64
Enable ramping/bounce/expression control for MODIFY (Loop) knob
LENGTH
CC 65
Enable ramping/bounce/expression control for LENGTH knob
BOUNCE
CC 66
Ramp mode (off, one-shot) vs Bounce mode (on, continuous LFO). Default waveform is triangle.
SWEEP
CC 67
Sweep direction: Bottom (B, knob=min of range) or Top (T, knob=max of range)
POLARITY
CC 68
Ramp polarity: Forward (F, normal) or Reverse (R, inverted)
Mono In, Stereo Out - Splits a mono input signal into stereo output
SPREAD
CC 73
Engages stereo processing. Each mode creates a unique stereo image (Reverb=scattered taps, Delay=ping-pong, Slip=panning, Tape=fwd+rev)
DRY KILL
CC 74
Removes dry/clean signal from output (even when bypassed). For parallel wet/dry setups.
TRAILS
CC 75
Wet Channel effects smoothly fade out after bypass instead of cutting off
LATCH
CC 76
Changes Freeze and Overdub from momentary to latching (stays engaged until held again)
NO DUB
CC 77
Refresh Mode - Reduces looper feedback to 0, turns Micro-Looper into pseudo-live effect. Leave overdub engaged. In Classic mode, mutes loop during overdub instead.
SMOOTH
CC 78
Smooth Clock - Removes harmonized stepping from CLOCK knob for fluid continuous adjustment
Footswitches
L — bypass on CC 103, hold on CC 105
R — bypass on CC 102, hold on CC 106
Special MIDI Functions
Tap Tempo — CC 93
MIDI Clock Sync — CC 51. Controls whether MOOD MKII follows incoming MIDI clock. Saved globally. When on, TIME knob syncs to clock divisions; when off, clock is ignored.
Ramping Active — CC 52. Pause or resume the ramp/bounce LFO. Send 0 to stop ramping, any value >0 to resume.
True Bypass Mode — CC 55. Switch between buffered bypass (0) and true bypass (1). Saved globally.
Freeze — CC 105. Freeze the Wet Channel — holds the current reverb/delay tail indefinitely. Equivalent to holding the Loop footswitch. Latch DIP switch affects momentary vs. latching behavior.
Hidden Menu — CC 104. Opens or closes the hidden menu on MOOD MKII (equivalent to a hardware gesture). Used to access additional settings.
Buffer Length — CC 33. Sets the internal buffer size. Off=Half length (matches original MOOD MKI behavior), On=Full length for longer loops.
Loop Clock Division — CC 53. Clock division for the Micro-Looper channel (Loop footswitch). 0=32nd note, 1=16th, 2=8th triplet, 3=8th, 4=dotted 8th, 5=quarter, 6=half, 7=whole. Saved globally.
Wet Clock Division — CC 54. Clock division for the Wet Channel (Bypass footswitch). 0=32nd note, 1=16th, 2=8th triplet, 3=8th, 4=dotted 8th, 5=quarter, 6=half, 7=whole. Saved globally.
Expression Over MIDI — CC 100. Control expression input position via MIDI. 0=heel down, 127=toe down. Affects whichever parameters are assigned to expression control.
Synth Output Type — CC 58. Sets how Synth Mode responds to MIDI notes. 0=Open (constant drone, most like a transposable effect), 1=On/Off (gates output on note on/off), 2+=ADSR (full envelope shaping for most synth-like response). Saved globally.
Synth Octave Transpose — CC 57. Transposes the Synth Mode pitch reference in semitone increments. 1=12 semitones, 2=24, 3=36, 4=48, 5=60, 6=72, 7=84, 8=96, 9=108 semitones. Saved globally.
Synth Attack — CC 80. ADSR envelope attack time for Synth Mode (requires Output Type=ADSR). 0=fastest, 127=slowest. Saved globally.
Synth Decay — CC 81. ADSR envelope decay time for Synth Mode (requires Output Type=ADSR). 0=fastest, 127=slowest. Saved globally.
Synth Sustain — CC 82. ADSR envelope sustain level for Synth Mode (requires Output Type=ADSR). 0=silent, 127=full level. Saved globally.
Synth Release — CC 83. ADSR envelope release time for Synth Mode (requires Output Type=ADSR). 0=fastest, 127=slowest. Saved globally.
Synth Portamento — CC 84. Glide time between Synth Mode notes. 0=no glide (instant), 127=maximum glide. Saved globally.
Tap Tempo (CC107) — CC 107. Primary tap tempo CC. Send any value >0 to register a tap. To exit tap tempo mode, hold the Loop footswitch and turn the TIME knob.
Factory Reset — CC 56. Reset all settings to factory defaults. This cannot be undone.
MIDI Reset — CC 110. Resets MIDI-specific globals: MIDI clock sync off, octave transpose +3 octaves, clock dividers to quarter note, portamento to 0, gate mode to 0. Send any value 1–127.
Exit Synth Mode — CC 59. Force exit from Synth Mode. Send any value >1. Synth Mode activates automatically when a MIDI note is received; use this to exit without turning a knob.
Hardware Presets
The MOOD MKII has 122 hardware preset slots. Nitelite can save your current settings to a slot and recall slots via MIDI program change.